![]() The compressors were: Logic's stock Compressor plugin (in "Platinum Digital" mode), the UAD model of the Distressor, and my actual hardware Distressor pair. ![]() I took just the room mics from a four-bar chunk of war-drum action played on floor toms and set up "as close as I could get it" sounds on both hardware and plugins (level matched to within 1db), bounced the files, digitally level-matched them to within 0.1db, and exported the files with conversion from 96kHz down to 48kHz using Logic's sample rate conversion. ![]() ![]() While editing and processing some drums I recently recorded, I decided to compare my hardware Distressors and AMS-Neve 1084 units to their closest equivalents in the plug-in world.
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